Kateri Belly Dance    
 
 
 
 
 

Howard Community College Beginning Bellydance

Fall 2009 meets every Thursday from 3:30pm-5:15pm in Room 110

Fall 2009 Syllabus PDF
Written Assignment Grading will be based on a less formal version of Rubric 1 found here
Updated 9/25 Püf Choreography PDF
Links to Online performances for critique assignment are at the very bottom of this page, preceeded by a list of weekly and one-time-event live bellydance performances.

Clarification: Midterm performances in class on October 8th will be either a group performance or a solo performance (your choice) of the Püf Choreography

Final Performances in class on December 3rd will have each student demonstrate 2 different styles of bellydance in two contrasting short performances:
Cabaret Solo: A student may chose to repeat the Puf choreography as a Cabaret Solo or choreograph their own Cabaret Solo to their choice of music; length 2-4 minutes. If the student does not purchse an mp3 on their own, I will provide at the very least all music from Bellydance Superstars Volume 1; the music can be found here; you may find Volume 4 of this collection on itunes, and most of the individual tracks of Volumes 1-2.
Listen to Raks Africa on youtube
Listen to Ah Ya Leil on youtube
Listen to El Salam on youtube
Listen to Warda on youtube
Listen to Ice Queen on youtube
Listen to Talakik on youtube
Listen to Nebtidi... on youtube
Listen to Chicky on youtube
etc. for Cabaret music

Tribal Leading: A student may either choreograph or improvise a tribal or folkloric troupe leading of at least 2 minutes in length. If you do not pick your own music I will provide the following:
Listen to 66 metres on youtube
Listen to Discovered by Beats Antique on youtube also on the Serpent Rouge Album
Listen to The Cover of Night by Pentaphobe from their album Sawdust
Ask me to borrow a CD or Buy Zeina by Petrol Bomb Samosa from the CD Electric Oasis: Exotic Arabian Grooves
Ask me to borrow a CD or Buy Dust by Raquy and the Cavmen
Ask me to borrow a CD or Buy Sa'dawi by Ensemble Accentus' CD Sephardic Romances

Class I: August 27th

Movement Vocabulary:
     Balance and Isolation
     Circles and Infinity
     Head slides, Chest slides, Hip slides
     Horizontal chest circles
     Hip circles
     Umies
     Snake arms
     Undulations
Cultural Reference:     Habibi Beloved/Lover/&Baby& (Arabic)
Fitness:      No abs/glutes
Homework:     Habibi cultural reference, work on Undulations

Class II: September 3rd

Movement Vocabulary:
     Maya
     Guci
     Belly Rolls
Cultural Reference:     Maya/Ma'a/Maia Water (Arabic)
Fitness:     1 Rep Abs, 1 Rep Glutes
Homework:     Maya cultural reference, work on Belly Rolls

Class III: September 10th

Movement Vocabulary:
     Previous moves in 3rd position
     Begin Püf Choreography
Here is the Music Video so you can practice, but you can buy the mp3 on itunes...
     Accents and Muscle Control
     Ups
     Hip shimmy
     Hip crescents
     Chest accents Right, Front, Left, Back, Up, Down
Cultural Reference: Zaghareet a high-pitched ululation made with tongue behind teeth or between the lips; luh-luh-luh made fast and high
Fitness:     1 Rep Abs, 1 Rep Glutes
Homework:     Attempt to make Zaghareet, work on Choreography, and continue work on Belly Rolls.
Watch BellydanceSuperstars clip here and note the different styles: Rachel Brice is American Tribal Fusion, and Amar Gamal and Ansuya are various styles of Cabaret. This clip has Ansuya explaining one method of creating a zaghareet. Also watch this clip to really get the sound in your ear.

Class IV: September 17th

Movement Vocabulary:
     Beladi/Drop Kick
     Shoulder accents
     Shoulder shimmy
     Finger waves
     Continue Püf Choreography
Cultural Reference:     Beladi/Baladii/Beledi/Belady in addition to a specific move and style in bellydance, this is the most pervasive Middle Eastern rhythm in modern bellydance. It sounds; Dum-Dum-tek a tek-Dum-tek a tek (tek a) and repeats. " Dum" is a heavier sound found on the downbeat, "tek" is a lighter, "filler" sound. It is a more folksy version of the basic Middle Eastern maqsuum rhythm and translates roughly as "of the country" or "old fashioned."
Fitness:     1 Rep Abs, 2 Rep Glutes
Homework: Listen to clip of Beladi rhythm and attempt to tap along with it. More information about all the basic Middle Eastern rhythms, their simple and filled-in sounds can be found here for those who may be interested.

Class V: September 24th

Movement Vocabulary:
     Camelwalk
     3/4 shimmy
Püf Choreography continued
Cultural Reference: None.
Fitness:     1 Rep Abs, 2 Rep Glutes
Homework: Practice Püf Choreography.

Class VI: October 1st

Movement Vocabulary:
     Twists in place and traveling
     Body Wave
     Traveling ups
     Hip circles moving left
     Traveling Beladi
     Camelwalk with levels
Püf Choreography continued
Cultural Reference:
Fitness:     1 Rep Abs, 2 Rep Glutes
Homework: Practice Püf Choreography.

Class VII: October 8th

Midterm in-class performances of Püf Choreography
Begin sharing circle
Jezebelly leader and follower tribal improv
BlackSheep BellyDance troupe improv One group marks time while another group has a leader-follower setup note the zaghareet at 3:20 as a cue to change sides, and the troupe zaghareet at 3:35 as a signal for the end of the first dance and the beginning of the second more choreographed one.
Fitness:     1 Rep Abs, 2 Rep Glutes
Homework: Watch Leader/Follower clips online. Read and be prepared to discuss the Bellydance Timeline on the 15th.

Class VIII: October 15th

Movement Vocabulary:
     Arms and hands
     Three quarter shimmies
     Review moves
     Sharing Circle
Cultural Reference: Bellydance Timeline
Fitness:     2 Rep Abs, 2 Rep Glutes
Homework: Watch at least 2 of the Cabaret clips found at the bottom of this page and 2 of the tribal clips; be prepared to discuss Cabaret and Tribal stylistic differences briefly in class on the 22nd.

Class IX: October 22nd

Finish Püf Choreography Movement Vocabulary:
     Downs in place and moving
     Bellyrolls
     Hip figure eights
     Sharing Circle
Cultural Reference: Bellydance style Cabaret vs. Tribal
Fitness:     2 Rep Abs, 2 Rep Glutes
Homework: Practice three quarter shimmies, start practicing with your Final Performance (your own choreography) music.

Class X: October 29th

Finish Püf Choreography and Troupe Configuration Movement Vocabulary:
     Chest vertical circles
     Chest figure-eights; horizontal and vertical
     Doubles
     Sharing Circle extended
Cultural Reference:
Fitness:     2 Rep Abs, 2 Rep Glutes
Homework: Practice for your Final Performance with your solo choreography and as a leader for your Tribal Improv.

Class XI: November 5th

Movement Vocabulary:
     Grapevine
     Hip circles with bounce
     Catchup on moves
     Leader/Follower tribal fusion
Cultural Reference:
Fitness:     2 Rep Abs, 3 Rep Glutes
Homework: Practice stringing moves together in the mirror.

Class XII: November 12th

Movement Vocabulary:
     
     
     
     
Cultural Reference:
Fitness:     2 Rep Abs, 3 Rep Glutes
Homework:

Class XIII: November 19th

Critique is due in class 3:30 half class meets for warmup, fitness, leader/follower practice followed by:
     Individual coachings for final performances
     3:50-3:55
     3:55-4:00
     4:00-4:05
     4:05-4:10
     4:10-4:15
     4:15-4:20
4:20 second half of class meets for warmup, fitness, leader/follower practice followed by:
     Individual coachings for final performances
     4:40-4:45
     4:45-4:50
     4:50-4:55
     4:55-5:00
     5:00-5:05
     5:05-5:10
     5:10-5:15
Cultural Reference:
Fitness:     2 Rep Abs, 3 Rep Glutes
Homework: Practice for in class performances

Class XIV: December 3rd

Final in-class performances; 1 cabaret solo at least 2 minutes in length, 1 turn at "leading" the class in a tribal or folkloric style for at least 2 minutes (can be improvised or choreographed) or tribal/folkloric solo at least 2 minutes in length.


     

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